Monday, September 13, 2004
hijacking catastrophe
From Robert Jensen's review of the documentary film Hijacking Catastrophe: 9/11, Fear & the Selling of American Empire in Counterpunch today:
...the lies that led to the Iraq War are only part of a bigger story, the most important story of the past three years: The Bush administration's manipulation of the tragedy of 9/11 to extend and intensify the longstanding U.S. project of empire building (and the complicity of most Democrats in that endeavor).
No publication or network in the mainstream of U.S. journalism has offered an independent, critical analysis of that project. Only a few journalists, mostly on the margins, have even dared to take a crack at it. The best consistent work has been in the foreign press or the alternative media in the United States.
....The film concentrates on two major topics: The neoconservative agenda for U.S. domination of the world, which was created long before 9/11, and the selling of that agenda to the U.S. public after 9/11.
The first story goes back to the early 1990s and the end of the Cold War, when policy planners such as Paul Wolfowitz (current deputy secretary of defense) were devising a more aggressive foreign policy and military posture to allow the United States to capitalize on the collapse of the Soviet Union and to dominate the globe in ways that had not previously been possible. At the time, the plans were considered so extreme that the first Bush administration reined in these ideological fanatics; the U.S. empire could go forward but not in such radical form.
During the remainder of the 1990s, these neoconservative planners chafed at what they saw as an insufficiently aggressive approach to expansion of the empire in the Clinton administration. The Project for the New American Century, a neoconservative think tank, was created as a vehicle for promoting this ideology, which was able to take center stage with the George W. Bush administration.
Resistance to such an aggressive and dangerous project remained, however, and the project still had to be sold to the U.S. public. The attacks of 9/11 created the political climate which made that possible.